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Gerhard Richter did many of his most chromatic paintings with a squeegee. They flatten paint and turn it into flight. Here, I squeegeed the Earth – figuratively. The image, that index of space travel in the 60s, earthrise, Whole Earth Catalogue, speck, galactic spit, the blueness of the blue. Now it falls downwards. Digital striation. And I find it so tragically beautiful. Ultra vivid seen. I wonder what the drips on the floor look like.

There is a good chance this image will, in another form, play a major role in the book I’m doing with Hans Ulrich Obrist and Douglas Coupland, designed by Wayne Daly, and published by Penguin and Blue Rider in 2015, called The Age of Earthquakes. Watch (this) space.